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Ralts, Kirlia & Gardevoir ex: The Family Artwork Story

Identify Ralts 211, Kirlia 212 and Gardevoir ex 245 from Scarlet & Violet. Follow Jiro Sasumo's family story and arrange the three-card artwork sequence.

By Alberto MoralFounder, product builder, and Pokemon TCG collector

Quick answer

Ralts 211/198, Kirlia 212/198 and Gardevoir ex 245/198 follow a family through changing stages of life. Identify Jiro Sasumo's three Scarlet & Violet illustrations and compare the room, photographs and everyday details.
Table of Contents
Ralts, Kirlia & Gardevoir ex: The Family Artwork Story

Key takeaways

  • Which Ralts, Kirlia and Gardevoir cards tell the story?
  • Is the family connection officially confirmed?
  • Three moments in the same domestic world

Which Ralts, Kirlia and Gardevoir cards tell the story?

The sequence is Ralts 211/198 → Kirlia 212/198 → Gardevoir ex 245/198, all illustrated by Jiro Sasumo in the original Scarlet & Violet expansion. Read them in that evolution order to follow a Pokémon's place in a family's life.

Ralts 211 from Scarlet & Violet, illustrated by Jiro Sasumo
Ralts · 211Scarlet & VioletJiro Sasumo
Kirlia 212 from Scarlet & Violet, illustrated by Jiro Sasumo
Kirlia · 212Scarlet & VioletJiro Sasumo
Gardevoir ex 245 from Scarlet & Violet, illustrated by Jiro Sasumo
Gardevoir ex · 245Scarlet & VioletJiro Sasumo
Story positionExact English cardRarityIllustrator
FirstRalts 211/198Illustration RareJiro Sasumo
SecondKirlia 212/198Illustration RareJiro Sasumo
ThirdGardevoir ex 245/198Special Illustration RareJiro Sasumo

All three carry the SVI expansion code. Keep the full numbers when searching: the official checklist also lists Ralts 084, Kirlia 085 and other Gardevoir ex printings. A matching Pokémon name alone does not identify this artwork.

Is the family connection officially confirmed?

Yes. Pokémon's official Gardevoir ex preview, available in Spanish, describes a woman's lifelong companionship with Gardevoir. It also explicitly connects that story to the expansion's Ralts and Kirlia illustrations.

The article identifies Jiro Sasumo and points to the family photographs in Gardevoir's scene. That supports treating these cards as a deliberate narrative sequence. Specific ages, names for the people and explanations of events between the pictures are not established by that source. The observations below describe visible details; the reading of time passing is a visual interpretation rather than a dated family biography.

Three moments in the same domestic world

Ralts 211: boxes and a new beginning

Ralts sits on a striped blue sofa while a woman kneels beside an open box. Another person carries a box behind it. A rolled rug and a small potted plant fill the foreground. These packing details suggest a move or a household being set up, giving the sequence a natural starting point.

Look beyond Ralts to the green patterned wall and framed photographs. The room is part of the story, so comparing only cropped portraits of the Pokémon misses useful connections.

Kirlia 212: the family grows

Kirlia stands beside the woman, who is now holding a baby. Toys, books and a colorful rug occupy the foreground, while the sofa has changed. Familiar green walls and photographs help connect the scene to Ralts's card without requiring the furniture to remain identical.

The change from boxes to a busy family room gives this middle illustration its own role. It is worth displaying even if Gardevoir ex is the card that first caught your attention.

Gardevoir ex 245: an older household

Gardevoir holds yarn beside a gray-haired woman working on a blanket. Another gray-haired person sits nearby, and the room contains more plants and family pictures. Pokémon's preview specifically describes Gardevoir helping the woman with her knitting.

The evolution line and the people's changing appearance can be read together as two kinds of growing up. The artwork does not assign a number of years to that progression. The repeated everyday setting carries the connection without needing an invented ending.

How to arrange the three cards

Place Ralts on the left, Kirlia in the middle and Gardevoir ex on the right, keeping every card upright. A three-pocket row makes the sequence easy to read. A vertical column in the same order also works if that suits your binder.

Treat this as three successive scenes. There is no need to crop the cards or make their outside edges meet. That differs from the vertical composition in Spidops ex and Tarountula's connected artwork, where comparing the shared tree and Scyther is central to the layout.

Check the printing before completing the trio

  • Match 211/198, 212/198 and 245/198, alongside the SVI code and Jiro Sasumo credit.
  • Keep language consistent if you want the English sequence shown here. Another language may use different collector numbers.
  • Distinguish Illustration Rare from Special Illustration Rare; all three having the same artist does not give them the same rarity.
  • Check whether a listing includes one card, all three cards or a display accessory. Examine each card's front and back separately.

The linked card pages provide available dated price references. Compare each exact printing, condition and grade individually. This story does not establish a fixed bundle price or guarantee that the three cards change value together.

Keep the three chapters together

Track the exact Ralts, Kirlia and Gardevoir ex printings in MyDex, and record which part of the artwork sequence you still need.

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More ways Pokémon cards connect

For a Trainer and Pokémon shown from different viewpoints, compare Perrin and Hisuian Growlithe. For a larger image assembled from several cards, see the Crown Zenith nine-card mosaic. The connected-artwork gallery brings those different kinds of connection together.

Methodology

Articles that discuss pricing, value, or collecting workflows are written against the current MyDex product and the latest available market data. We prefer explicit limitations and real examples over inflated claims.

Sources

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